News 2018

Lissa ammetsajjel by Syrian directors Saeed Al Batal and Ghiath Ayoub wins the Audience Award

Today, Friday September 7, the Venice International Film Critics’ Week, the independent and parallel section organized by the National Union of Italian Film Critics (SNCCI) during the 75th Venice International Film Festival (August 29 – September 8, 2018), conferred the awards of its thirty-third edition.

Sun Film Group Audience Award

Lissa ammetsajjel / Still Recording by Saeed Al Batal and Ghiath Ayoub (Syria, Lebanon, Qatar, France, Germany)

Award realized thanks to the support of Sun Film Group and consisting of a 5,000 euros prize.

Furthermore, the following prizes have been bestowed:

Verona Film Club Award

Bêtes blondes / Blonde Animals by Maxime Matray e Alexia Walther (France)

Bestowed by a jury composed of the members of the Verona Film Club and awarded to the most innovative film in the section. “Orfeo’s head, separated from the body, closes its eyes to the world and opens them up for vision. It doesn’t stop its sorrow, its chant is not interrupted. For inviting us to welcome this call, to look at the pain of living with a sleepy smile, to travel with voracious forgetfulness shoving down flowers and tons of salmon pies, accompanied by hurt and beautiful young people looking for a taste that seems lost. For insinuating that memory is the plumb line of our present, but forgetting is a revolutionary act as much as looking for answers from a camp sitcom or advices from resentful cats. For immersing us in a cycle of lethargy and awakenings that re-writes the traces of real and drowns images in dream. For forcing us to reset our senses and our constructions, demonstrating that a radical cinema is shameless and always possible, actually, necessary.”

Mario Serandrei – Hotel Saturnia & International Award for the Best Technical Contribution

Lissa ammetsajjel / Still Recording by Saeed Al Batal and Ghiath Ayoub (Syria, Lebanon, Qatar, France, Germany)

Sponsored by the Hotel Saturnia & International in Venice and conferred by a commission of experts. “In the Syrian war inferno, the image catches the horror of battle, the strength of sharing, the truth of a people. From the theory of Hollywood action to the urgency of documentary, the digital technique captures the absolute present of History, testifying the resistance of life in death camps, with a throbbing editing that makes an ongoing tragedy something palpable.”

The General Delegate Giona A. Nazzaro commented: “A selection that carries in its own DNA a desire for future, the pleasure of diversity and the search for new gazes. A selection that, at a time when politics are closing doors, wants to open all the windows, in a rossellinean way, inviting us to think about today’s contradictions and work for a combative cinema.”

The winner of the Audience Award, Lissa ammetsajjel (Still Recording) and the Best Short Film Malo tempo will screen at 2pm on Saturday, September 8, Sala Perla, Palazzo del Casinò.

Furthermore, a jury composed of the members of the Woche der Kritik (Berlin Film Critics’ Week), headed by Michael Hack, bestowed the following prizes to the short films in the competitive programme SIC@SIC – Short Italian Cinema @ Settimana Internazionale della Critica:

Award for Best Short Film

Malo tempo by Tommaso Perfetti (Italy)

Sponsored by Frame by Frame and consisting of post-production services for the next short film by the winning director. “One young gangster, confined to his small apartment — a big body, almost too big for the frame and his voice: out of the constraints of the situation Tommaso Perfetti develops a vivid and multifaceted portrait of a man trying to affirm and to lose himself. By refraining from any judgement he frees both him and the spectators, in an act of confident documentary filmmaking.”

Award for Best Director

Gagarin, mi mancherai / Gagarin, I Will Miss You by Domenico De Orsi (Italy)

Sponsored by Stadion Video and consisting of the English subtitling for the next short film by the winning director. “Getting Lost. Finding light and earth and water. The sky is blue, the hens get fed and maybe only maybe it does mean something to work, to draw, to build. The quest this film develops is an exterior one, turned towards the world and the fantasies it evokes. Its curiosity is one that doesn’t require answers, even if there are a few.”

Award for Best Technical Contribution

Quelle brutte cose / Those Bad Things by Loris Giuseppe Nese (Italy)

Sponsored by Fondazione Fare Cinema and consisting of an invitation to the 2019 edition of the Advanced Training Course in Film Directing “Fare Cinema”. “The private reality of a family: fragments of their past and present, shared moments, glimpses of intimacies. The voice of a daughter who passed away mingles with a rhythm of memory, a density of love, a stream of consciousness. Seamlessly and vivid, as if separations were only an illusion.”